Parallel Lines

Filmmaker Nina Davenport is working in California the day the World Trade Center is destroyed. Trying to understand that she won't be able to see the familiar building from her apartment in New York anymore and afraid of getting on a plane, she sets off for a road trip that is therapy and art performance in one. She has six weeks to get back to New York, and she spends them driving through a country in shock and talking to people she meets along the way. All of them share a strange sadness - not only about the attacks - and a surprising willingness to open their hearts and lives to this young woman with a camera. And by taking us on a trip through her country, she ends up leading us into the very soul of it. Filmmaker Nina Davenport is working in California the day the World Trade Center is destroyed. Trying to understand that she won't be able to see the familiar building from her apartment in New York anymore and afraid of getting on a plane, she sets off for a road trip that is therapy and art performance in one. She has six weeks to get back to New York, and she spends them driving through a country in shock and talking to people she meets along the way. All of them share a strange sadness - not only about the attacks - and a surprising willingness to open their hearts and lives to this young woman with a camera. And by taking us on a trip through her country, she ends up leading us into the very soul of it. Filmmaker Nina Davenport is working in California the day the World Trade Center is destroyed. Trying to understand that she won't be able to see the familiar building from her apartment in New York anymore and afraid of getting on a plane, she sets off for a road trip that is therapy and art performance in one. She has six weeks to get back to New York, and she spends them driving through a country in shock and talking to people she meets along the way. All of them share a strange sadness - not only about the attacks - and a surprising willingness to open their hearts and lives to this young woman with a camera. And by taking us on a trip through her country, she ends up leading us into the very soul of it. Filmmaker Nina Davenport is working in California the day the World Trade Center is destroyed. Trying to understand that she won't be able to see the familiar building from her apartment in New York anymore and afraid of getting on a plane, she sets off for a road trip that is therapy and art performance in one. She has six weeks to get back to New York, and she spends them driving through a country in shock and talking to people she meets along the way. All of them share a strange sadness - not only about the attacks - and a surprising willingness to open their hearts and lives to this young woman with a camera. And by taking us on a trip through her country, she ends up leading us into the very soul of it.